Steffi Price
English 114B
May 1 2011
V for Vendetta
In today’s society, it seems that corruption within the government is inevitable. This opinion of the government has been influenced and circulated by many outside sources. While some believe that the government is only looking out for the good of the people, others think differently. Just like in the court of law, a government may be considered innocent until proven guilty. In Alan Moore’s graphic novel “V for vendetta” the government is perceived as corrupt, but nothing is done about it until the people become conscious of the problems at hand when they are informed. Although those that oppose the oppression of the government may seem like radical revolutionaries to some, the values of anarchy versus order are in the eye of the beholder. Alan Moore also explores this in his novel through the symbolism of V and his identity or lack thereof illustrate how it is not important in comparison to the ideals of freedom that he upholds.
The character V is a direct example of symbolism throughout the novel. V himself is a man in a mask. He is never defined as a single person throughout the story. V is intended to be perceived as an idea. Although V’s identity is immensely questioned by readers throughout the story, the answer is surprisingly irrelevant. Evey shows understanding of this when she says “ If I take off that mask, something will go away forever, be diminished, because whoever you are isn’t as big as the idea of you”(250, Moore). She is trying to say that in the end it doesn't matter who V is, what really matters is what he stands for and what he embodies. In this way, the character V becomes a symbol himself as his goals are depersonalized so they are not merely personal opinions, but general ideas of freedom and rising against the power of government. V symbolizes the idea of freedom and rising against the power of the government. The meaning and purpose of V’s name changes consistently depending on the context that it is used in. There are many references to the letter V and the number 5. In fact, the number 5 is V in roman numerals. The naming of the character as a seemingly random number and letter that is one of many further dissociates the character V from possessing a specific identity which allows room for the reader to perceive him as a symbol. The fact that the letter of his name is not truly random, but is connected to the roman numeral of the room that he was in when V was at Larkhill. Larkhill is the concentration camp he was tortured at that makes him resent the government so powerfully. He was kept in the fifth room. The room was labeled with the roman numeral for five, “V”. Every chapter title in the novel begins with the letter “V”. The saying “remember, remember, the 5th of November” is a symbol of foreshadowing what is going to eventually happen on the date November 5th. All of this buttresses the association between V and ideals of revolution for the greater good. He is characterized as a horrific past event directly correlated to the ideals of the upheaval of the totalitarian regime, rather than personified as a humanistic character. However, this leaves the reader with doubts of the validity of the government's actions versus V's campaign; if V's emotions and opinions are left out of the reader's decision whether his actions are right or wrong, but the factual story is included, the individual is able to take into account all aspects to decide for themselves without the bias of a main character's perception. Of course, the point is not to get the reader to agree or disagree, but to question the values of anarchy as justified actions or terrorism.
Throughout the story, V is never seen without his Guy Fawkes mask. In my opinion, the mask is supposed to prove the point that identity is irrelevant. V did not want the attention to be primarily focused on who he was but rather on the idea in which he was presenting to the people. In real life Fawkes was an oppressed Catholic during the reign of King James I of England. In the article Vagaries and Violence in V for Vendetta, it is stated that “Fawkes was tortured and executed (hung, drawn and quartered) for treason. This history is not investigated in V for Vendetta; rather, Fawkes is presented as a symbolic figure.”(Rjurik,1). This creates conflict for anyone who takes the story to the extreme literal level. To avoid all of this political conflict, the guy fawkes mask is worn to be seen as an idea. This is why he wore a mask, so that people would not be so caught up in catching him, and pay more attention to the idea and political problems at hand that need to be resolved, but at the same time not interfere with real historic political issues. In the scholarly article, “A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism”, Lewis Call says “This book uses the image of Guy Fawkes to initiate a powerful anarchist critique of fascism.”(Call,1) Lewis call makes a significant point when saying this because the way that the mask is worn creates anarchy especially in the film when everybody starts wearing the mask at the end. It symbolizes anarchy through objectivity which is extremely insightful and interesting.
In the graphic novel “V for Vendetta” Alan Moore tells the story through the use of symbolism. There are many symbols in the book for the reader to easily pick up on, making the context of the story come together in the end. This also creates a sense of foreshadowing for the reader because they can anticipate what will happen next which makes the novel more thrilling to read. The symbolism of V and his identity or lack thereof illustrate how it is not important in comparison to the ideals of freedom that he upholds is what remains significant all along. It is important for the reader to be paying attention every step of the way while reading because if they miss out on an important context clue, they could also be missing out on an entire concept of the story.
Goldstein, Richard. "The Erotics of Resistance." Nation, 282.15 (2006): 8
Kirkpatrick, David. "Candidate's Pleased to Remember This Fifth of November." The New York Times, 157.54120 (2007): A20.
Feigelman, Jennifer. "V for Vendetta." School Library Journal, 52.1 (2006): 170.
Call, Lewis. "A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism. (Undetermined)." Anarchist Studies, 16.2 (2008): 154-105.
Davidson, Rjurik. "Vagaries and Violence in V for Vendetta. (Undetermined)." Screen Education, 46 (2007): 157-162.